'THREE BANDS PLAY A'
SEVERAL GALLERIES: 04/02/1911 to 04/30/1911
not be confused when we say that an event like this, besides being absolutely necessary, was seen coming from afar. I do not mean and the fact that it is an idea imported from other cities, but because in recent years has shown a need for their own galleries in Madrid to rethink the narrative situation in some guidelines.
I am not referring to the commercial dynamic, imagine that each knows what to do, but the device itself 'exposure' as pre-eminent place, and almost single-visibility for the art. In this regard, and there we delve into our particular loa to 'believe no be confused ', if you made a little look back, just one year-not surprising, albeit pleasantly, that two of the best exhibitions that could be seen in Madrid last year were two separate periods of commissariat. I mean no doubt the exposure Huis Clos the Galería Elba Benítez -curated in this case by Magali Arriola - because The pipe and the flow in Minimum Space -this curated by Omar Lopez-Chahoud. Even now I remember more clearly, Cruise 4 and Pilar Parra & Romero also conducted exercises commissioner not insignificant.
Anyway, what I do is clear is that nothing happens because. That art has need of other exposures, that we should join forces, to conceptualize before showing, is a mirror image that gives us the mirror of the normalization and the spectacle that seems to have run aground every discourse on art.
But then, of course, are always perverse effects: the more seems to have cleared the 'depth' with which art operates, it, in its actual destination, making any operator-in this case the reviled and condemned to silence media 'gallery arte'-and puts them back into orbit to take a breath thing more dialectical.
do not believe that this is the most appropriate place to go to discuss the structural features of art or aesthetics, but if the duality of self / praxis is vital has finally revealed as illusory and deeply ideological, while unable to solve any problem, it is now that "forgetting desartización effects, but also laughing heartily at the marketing advertising in which he falls, the art has to opt for a change of registration, a twist that closes towards at Rancière say, a dissent in practices equipped with visibility.
And I think that this is what is at stake but, and this is surprising, not because we try hard, be committed, "not because the gallery has been, as it were, tied up the males and have given the whole by all with a play - this really would be three bands! - to get out of the crisis momentarily and take some visibility provided. But, as we say, is what is at stake because art is just that: breaking, rip, decenter, distributing and dealing. The game of visibility and display is critical here and is the art aupado as lavish as tourism and musealization Cultureta as necessities to capture when dividends are small gestures like the one in question made from within art which have to run without fear - it is impossible to fail! - not as a rejoinder to immovable art system, but as a sincere and radical exercise against the current regime of the given.
say that I was not so bad, that it is not so well, it is an event in a few galleries, and not the most celebrated-in a city that hardly supports the pull of globalization illusory, even though he continues t iven his four or five hubs there being nothing more than the glacial wasteland outside. But just for that: just his candor, for impotence that encryption will be all over again once they have spent a few days, by, in a word, and despite its great success, destination of failure is what events may well be fundamentally important meanings within the current system of merchandising and display.
And, and I will say that a stroll through the city, he takes his time-even, and at least in my case, steal it from somewhere else, "to endeavor to look at and understand in face display modes and different production artists with low visibility, are artistic experiences that even the regular visitor to galleries are often missed. That is, not that events like this have come to supplant the biennial schizoid neurosis or catatonia arhythmic the average tourist that comes after facing an exhibition of art in their summer tour, it's not even that figure the commissioner must descend from the pulpit in which sometimes seems to be high, it is not, finally, that You pour exposures to inflate ticket sales data have to be removed from the museum's exhibition plans or that the 'collective shows' art galleries are to be swept the map.
But we do need at least make it clear that another way of doing things is also possible that there may be a positive synergy between artist, gallery and curator, and that the public can come to see the exhibition engaging freely in the desired range and extent, without heeding the meapilas fronted the newscast, or standardized guidelines that sentence 'the must-see 'and' who to see '
neither exhaustive nor want to make a sharp critique of the seen-think the need of the event itself is what must be stressed, "if I'm going to highlight some that generally works until the end of April may be in different participating galleries.
In Aranapoveda was the installation constructed to using slides collected in New Orleans after the disaster Will Steacy; in Blanca Soto, Gaston Persico polyhedral and portraits in notes and notes left on the floor; l a springboard solitude of Julia Fullerton-Batten in Camara Oscura; the disturbance which is always the simplicity of Claire Harvey Nicholas Paris and installation in Maisterravalbuena ; in Raquel Ponce machinic sculpture of Luc Mattenberger ; hieratic pictures Veronika Márquez and autobiography extreme Jana Leo in Rita Castellote, in Traverse 4 l a strange and powerful nature, ghostly and artificial of Carlos Irijalba.
In short, a proposal needed brilliant in its approach and its implementation, which will hopefully have a long history in landscape, the artistic Madrid, who appear to be more motivated than average and more proposals than money. Hopefully, the game for sure, that this carambola link with others.
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